|
|
|
|
|
|
Francisco Goya
Gaspar Melchor de Jovellanos
mk132
1798
Oil on canvas
205x133cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
General Nicolas Guye
mk132
1810
Oil on canvas
106x84.7cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Countess-Duchess of Benavente
mk132
1785
Oil on canvas
104x80cm
Bartolome March Severa
Madrid
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Marquise of Pontejos
mk132
1786
Oil on canvas
211x126cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Marquise of la Solana
mk132
1794-95
Oil on canvas
183x124cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Dona Isabel de Porcel
mk132
1804-05
Oil on canvas
82x54cm
National Gallery,
London
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Francisca Sabasa y Garcia
mk132
1804-08
Oil on canvas
71x58cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Duchess of Alba
mk132
1797
Oil on canvas
210.2x149.3cm
Hispanic Society,
New York
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
The Duchess of Alba arranging her hair
mk132
1796-97
Indian ink wash
17.1x10.1cm
National Library,
Madrid
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Adoration of the Name of God by Angels
mk132
1772
700X1500cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Betrothal of the Virgin
mk132
1774
Oil on plaster
306x790cm
Aula Dei,Saragossa.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Crucified Christ
mk132
1780
Oil on canvas
253x153cm
Museo del Prado
Madrid
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
St Bernardino of Siena preaching before Alfonso V of Aragon
mk132
1781-83
Oil on canvas
480x300cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Miracle of St Anthony of Padua
mk132
1798
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
No title
mk132
Oil on canvas
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
No title
mk132
Oil on canvas
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Saints Justa and Rufina
mk132
1817
Oil on canvas
309x177cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
La Novillada
mk132
1780
Oil on canvas
259x136cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
The Bullfight
mk132
1812-19
Panel
45x72cm
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Francisco Goya
Danching by the River Manzanares
mk132
1777
Oil on canvas
272x295cm
Museo Del Prado,
Madrid
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Francisco Goya
|
1746-1828
Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).
|
